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So, too, in Vesalius's time another doctrine of this sort was dominant: it had long been held that Eve, having been made by the Almighty from a rib taken out of Adam's side, there must be one rib fewer on one side of every man than on the other. This creation of Eve was a favourite subject with sculptors and painters, from Giotto, who carved it upon his beautiful Campanile at Florence, to the illuminators of missals, and even to those who illustrated Bibles and religious books in the first years after the invention of printing; but Vesalius and the anatomists who followed him put an end among thoughtful men to this belief in the missing rib, and in doing this dealt a blow at much else in the sacred theory. Naturally, all these considerations brought the forces of ecclesiasticism against the innovators in anatomy.(321) (321) As to the supposed change in the number of teeth, see the Gesta Philippi Augusti Francorum Regis,... descripta a magistro Rigardo, 1219, edited by Father Francois Duchesne, in Histories Francorum Scriptores, tom. v, Paris, 1649, p. 24. For representations of Adam created by the Almighty out of a pile of dust, and of Eve created from a rib of Adam, see the earlier illustrations in the Nuremberg Chronicle. As to the relation of anatomy to theology as regards to Adam's rib, see Roth, pp. 154, 155. A new weapon was now forged: Vesalius was charged with dissecting a living man, and, either from direct persecution, as the great majority of authors assert, or from indirect influences, as the recent apologists for Philip II admit, he became a wanderer: on a pilgrimage to the Holy Land, apparently undertaken to atone for his sin, he was shipwrecked, and in the prime of his life and strength he was lost to the world. And yet not lost. In this century a great painter has again given him to