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common enemies. His romance, transcribed in the Latin of Jeffrey of Monmouth, and afterwards translated into the fashionable idiom of the times, was enriched with the various, though incoherent, ornaments which were familiar to the experience, the learning, or the fancy, of the twelfth century. The progress of a Phrygian colony, from the Tyber to the Thames, was easily ingrafted on the fable of the Aeneid; and the royal ancestors of Arthur derived their origin from Troy, and claimed their alliance with the Caesars. His trophies were decorated with captive provinces and Imperial titles; and his Danish victories avenged the recent injuries of his country. The gallantry and superstition of the British hero, his feasts and tournaments, and the memorable institution of his Knights of the Round Table, were faithfully copied from the reigning manners of chivalry; and the fabulous exploits of Uther's son appear less incredible than the adventures which were achieved by the enterprising valor of the Normans. Pilgrimage, and the holy wars, introduced into Europe the specious miracles of Arabian magic. Fairies and giants, flying dragons, and enchanted palaces, were blended with the more simple fictions of the West; and the fate of Britain depended on the art, or the predictions, of Merlin. Every nation embraced and adorned the popular romance of Arthur, and the Knights of the Round Table: their names were celebrated in Greece and Italy; and the voluminous tales of Sir Lancelot and Sir Tristram were devoutly studied by the princes and nobles, who disregarded the genuine heroes and historians of antiquity. At length the light of science and reason was rekindled; the talisman was broken; the visionary fabric melted into air; and by a natural, though unjust, reverse of the public opinion, the severity of the present age is inclined to question the existence of