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plebeian birth, the sovereign is the sole fountain of honor; and the rank, both in the palace and the empire, depends on the titles and offices which are bestowed and resumed by his arbitrary will. Above a thousand years, from Vespasian to Alexius Comnenus, the _Cæsar_ was the second person, or at least the second degree, after the supreme title of _Augustus_ was more freely communicated to the sons and brothers of the reigning monarch. To elude without violating his promise to a powerful associate, the husband of his sister, and, without giving himself an equal, to reward the piety of his brother Isaac, the crafty Alexius interposed a new and supereminent dignity. The happy flexibility of the Greek tongue allowed him to compound the names of Augustus and Emperor (Sebastos and Autocrator,) and the union produces the sonorous title of _Sebastocrator_. He was exalted above the Cæsar on the first step of the throne: the public acclamations repeated his name; and he was only distinguished from the sovereign by some peculiar ornaments of the head and feet. The emperor alone could assume the purple or red buskins, and the close diadem or tiara, which imitated the fashion of the Persian kings. It was a high pyramidal cap of cloth or silk, almost concealed by a profusion of pearls and jewels: the crown was formed by a horizontal circle and two arches of gold: at the summit, the point of their intersection, was placed a globe or cross, and two strings or lappets of pearl depended on either cheek. Instead of red, the buskins of the Sebastocrator and Cæsar were green; and on their _open_ coronets or crowns, the precious gems were more sparingly distributed. Beside and below the Cæsar the fancy of Alexius created the _Panhypersebasto_ and the _Protosebastos_, whose sound and signification will satisfy a Grecian ear. They imply a superiority and a priority above the simple